The Night Before' Is Stoned-Cold Fun

The Night Before' Is Stoned-Cold Fun

  about The Night Before' Is Stoned-Cold Fun

Given a heavenly gift box of narcotics by Betsy, Isaac hits the town alongside his buddies in Chris’ Red Bull limousine — a perk of his celebrity, which he nurtures via endless product-peddling social-media posts — and immediately begins chomping on handfuls of hallucinogenic mushrooms and then tempering his trip with snorts of cocaine. He’s the out-of-control lunatic of this merry threesome, and Rogen’s zonked-to-insanity performance is the lifeblood of The Night Before, giving it the sort of joyous, madcap energy that comes from letting loose with one’s closest comrades, even to the point of potential oblivion. As in a stellar sequence that finds Isaac trying in vain to achieve sobriety — an effort that results in bug-eyed glares and awkward elbow-on-knee sitting positions — Rogen is at his finest when in the throes of panicked, confused, paranoid substance abuse.

Mackie, meanwhile, exudes an amusing cockiness underscored by insecurity, fitting for a character doing his best to delight in attention that he knows hasn’t been virtuously attained. His fan-indulging bluster meshes nicely with Rogen’s outsized druggie daftness, as well as the aw-shucks mopiness of Gordon-Levitt, here condemned to be the unfunny straight man. Ethan’s desperate desire to cling to this Yuletide-partying procedure stems from his fear of losing touch with his surrogate brothers, just as his refusal to meet Diana’s parents — the cause of their separation — speaks to his terror over the changes that might come from acting his age. He’s the embodiment of the story’s hackneyed boys-becoming-men trajectory, and though Gordon-Levitt is charming, his Ethan is the buzzkill of these proceedings, which only truly hum when letting loose with unbridled impropriety.

There’s quite a bit of that throughout The Night Before as Ethan, Isaac, and Chris make their way from one cherished spot to another, including Rockefeller Center’s towering tree, the gigantic FAO Schwarz piano made famous by Big, a karaoke bar where they perform Run-DMC’s “Christmas in Hollis,” and Chris’ mom’s house, where they play a round of the classic Nintendo 64 video game GoldenEye. Those pit stops feature just a few of the script’s many shoutouts to ‘80s and ‘90s pop-culture artifacts, which are sure to play well to Rogen’s (and the film’s) thirtysomething target audience, and which come across as authentic examples of these characters’ inability to stop clinging to their adolescent pasts.

Considering the hijinks-heavy nature of this endeavor, which in subject matter and attitude recalls 2011’s A Very Harold and Kumar 3D Christmas, some incidents prove less fruitful than others — such as a strained gag involving Isaac inadvertently switching phones with Diana’s friend Sarah (Mindy Kaling), and then contemplating a homosexual affair upon seeing the explicit crotch-shot pics she receives from an admirer named “James” (one guess as to that mystery man’s real identity). Fortunately, The Night Before proceeds with such go-for-broke momentum that any lulls in the action are quickly eradicated by the next wacko bit. The finest of these concern Rogen’s Jewish Isaac engaging in ludicrous dialogue with Christians (and their messiah), especially at a misbegotten visit to midnight mass. Equally inspired are the trio’s meetings with a pot dealer who provides the protagonists with A Christmas Carol-by-way-of-THC visions of their past, present and future, and who’s played by Michael Shannon as a more deadpan, mellow-but-menacing version of his usually hyper-intense on-screen self.

Review:
By Nick Schager

Seth Rogen takes the high holidays virtually within the Night Before, a raucous drug-fueled lyric to the seasonal spirit’s power to assist man-children mature into accountable adults. very little over a Christmas-y spin on several of the actor’s previous comedies, eating apple Levine’s film even so generates vital humor from its tale of 3 womb-to-tomb friends WHO move on Dec. twenty four for one last night of go-for-broke the big apple revel — now with the aim of finally attending the far-famed Nutcracka Ball that has for the past fourteen years eluded them. brimful with R-rated mischievousness before, per formula, turning way too nice, it’s a profanely gay odyssey that ought to way exceed Rogen’s polemic 2014 year-end effort, The Interview, and place nearer to the jolly box workplace territory of last summer’s $150 million-grossing Neighbors.

Reteaming with each co-star Joseph Gordon-Levitt and director Levine, his collaborators on 2011’s cancer dramedy 50/50, Rogen dons a daring white-and-blue sweater emblazoned with an enormous individual star as Isaac, a professional on the verge of getting his 1st kid with better half Betsy (Jillian Bell). That intimidating duty doesn’t, at the beginning, appear to intimidate Isaac. however cracks in his calm-and-cool facade begin to pass off once he embarks on a nocturnal journey with best friends Chris (Anthony Mackie), a soccer star whose sharp fame at age thirty four is that the product of steroids, and Ethan (Gordon-Levitt), a lonely, going-nowhere musician who’s obtaining over a break-up with Diana (Lizzy Caplan), and whose parents’ 2001 deaths were the catalyst for the trio’s yearly ritual of obtaining smashed on the night before Christmas.

Watch a clip from ‘The Night Before’ below: